Saturday, August 30, 2014

BUSINESS STANDARD Newspaper informs about my upcoming solo show SALT: THE GREAT MARCH, August 31, 2014

http://www.business-standard.com/article/pti-stories/ajrakh-artist-captures-traditional-textile-s-charm-in-show-114082900219_1.html

Thursday, August 14, 2014

A proud Indian- Happy Independence Day to my friends and loved ones


Invite




SALT: THE GREAT MARCH II
Re-Contextualizing Ajrakh Textile Traditions on khadi in Contemporary Art and Craft
(Textile installations, Art works, Clothing and Spoken poetry Video art)
 By Shelly Jyoti

 4-15 September 2014
11 am – 7 pm daily

India International Centre
The Art Gallery, Kamala Devi Complex
Gate no: 1, 40 Max Muller Marg
New Delhi 110003 India

Preview and inauguration:
Wednesday 3rd September 6.30pm

Chief Guest: Mrs. Tara Gandhi Bhattacharya
(Grand daughter of Mahatma Gandhi
Chairperson, Kasturba Gandhi Memorial Trust)


Tuesday, August 12, 2014

SAVE THE DATE 

SALT: THE GREAT MARCH II
Re-Contextualizing Ajrakh Textile Traditions on khadi in Contemporary Art and Craft

(Installations, Art works, Clothing and Spoken poetry Video art)
By Shelly Jyoti



Preview and inauguration: Wednesday 3rd September 6.30pm

Chief guest: Mrs. Tara Gandhi Bhattacharya
(Grand daughter of Mahatma Gandhi Chairperson, Kasturba Gandhi Memorial Trust)




Image details: Installation shot  at IGNCA  (Indira Gandhi National Centre for the Arts )New Delhi sept 2013

http://shellyjyotiblog.wordpress.com

EXHIBITION SCHEDULES AND LECTURES
2014
4-15 September2014
11 am – 7 pm daily
India International Centre, The Art gallery
Kamala Devi Complex, Gate no: 1, 40 Max Muller Marg, New Delhi 110003 India
Preview: Wednesday, 3
rd September, 6.30pm onwards

Gallery walk by the Artist, Curator and Poet: Saturdays, 6th, 13th September, 2014, 4.00pm

2 October –November 2, 2014

The Museum DakshinaChitra
East Coast Road, Muttukadu
Chengalpet District, Chennai, Tamil Nadu 603 118 India, and P: 91.44.27472603


Lecture Presentation: Salt- A Colonial Metaphor: Relevance today by shelly jyoti

National Lalit kala Academy, Chennai, October 3, 2014, 4.00pm (In collaboration with Dakshin Chitra Museum Chennai) 

Wednesday, January 1, 2014

Conference papers at ATWS International conference at Chennai and Forum for Contempoaray Theory Mysore December 2013






Shelly Jyoti   Newsletter
 November 16, 2013
                                                                                      
INDIGO: WORKS BY SHELLY JYOTI & LAURA KINA 
November 16 until January 2014
                                                                                                                                                               
These  exhibits will be presented by Gandhi Memorial Centre in co-operation with Embassy of india with support of indian Council of Cultural Relations (ICCR)

INDIGO project is a  two women show in collabration chicago based artist laura kina who presents INDIGO: Deveon Avenue series.The works were previewed in vadoadra,Gujarat (2009), exhibited in New Delhi (2010) , Mumbai (2010)and travelled across the continent to Seattle (2011), Miami (2011), Chicago(2013) and now re opening in  Washington DC (2013-14)

Indigo Narratives : An Ode to Neel Darpan  2009-13
       
             

These works are inspired by the play Neel Darpan (1860) written by Deen Bandhu Mitra on the plight of indigo farmers. The indigo revolt 1858 of Neel bidraho in Bengal was a mass movement in the history of Bengal. The play portrayed exploitation by the brutal planters in early 19th century. Later, in 1914, the region of chamaparan in northern India revolted against similar conditions of indigo cultivation. Mahatma Gandhi intervened and non-violently fought for the indigo farmers. Inspiring action, the champaran movement became known as Gandhi’s first non- violent movement in India’s freedom struggle in 1917-18.
The tapestry is a tribute to the indigo farmers of the Champarn region, a site specific installation which offers 25 different contemporary indigo prints that map the story of the tragic riots of Champaran and reference the sorrowful tale within each circle. There are 300 discs in this particular installation. Each one tethered and stitched in time, suggesting the hundreds of years of subjugation.
The visual crescendo of indigo block prints using the traditional method of resist dyeing hopes to strengthen awareness and promote dialogue of past and present day’s plight of farmers.

Shelly Jyoti  B 43 Trinity Towers| DLF Phase 5| Gurgaon 122002| Haryana.
Cell 91 9582252062 |Home 0124 4000154