Saturday, December 20, 2014

Paper presentation at XVII International Conference,Goa

XVII International Conference, Goa 21-24 December 2014 Venue: International Centre, Goa  
 SALT-A COLONIAL METAPHOR: RELEVANCE TODAY VERBAL, VISUAL AND NEW ART MEDIA 
By Shelly JyotiDelhi based Artist, Poet and an Independent curator ig_008 copy
Abstract :My paper is an attempt to theorize my own artwork ‘Salt: The Great March 2013-14’ series I& II- A visual Art project. The Salt March series explore salt as a symbol of non-violence. The project is inspired by the Gandhi’s theory of satyagrah- a challenge to ones own truth with stress on self-purification, self-examination and self-assessment. Satyagrah stimulates our conscience and soul searching for the upliftment of all (sarvodaya). The “Salt” series explore khadi as a contemporary social movement visualized through art and traditional craft traditions and processes, seeking out the possibilities of bringing the khadi spirit into our daily lives. If by spinning, weaving and wearing khadi, can the commitment to individual action bring about a sense of pride in our nation in the 21st century? Can such an action bring about nationalistic feeling and significant changes in our society? The “Salt” series is a continuation of my earlier series, ‘Indigo Narratives (2008-14) that were inspired by an anti-colonial, nonviolence movement that took place in 1917-18 and also Gandhi’s first non-violence protest ‘champaran’ movement for indigo farmers in India. The works feature site-specific khadi fabric installations including clothing, 40 artworks utilizing Ajarkh textile traditions on khadi fabric and spoken poetry video film. To draw from ‘Parapolitics: Toward the City of Man’, can modern societies become genuine moral communities? According to Gandhi, they can. Gandhi’s vision of a Sarvodayan society is embryonic, but nonetheless engaging and stimulating explaining swadharma for individuals defining traditions and duty clearly. These works have been exhibited at IGNCA (Indira Gandhi National Centre for Arts) New Delhi (Sept-Oct 2013):India International Centre, New Delhi (September 2014): The Museum Dakshin Chitra, Chennai (Oct -Nov2014) Lectures of the above at IGNCA New Delhi , Lalit kala Academy , Chennai, Apparao Galleries Chennai, New Delhi  2013-14 Scheduled venues: Baroda (2015): Gandhi memorial Centre Washington Dc 2015.
www.shellyjyoti.com

Friday, October 31, 2014

THE HINDU ,CHENNAI 30.10.2014 -'Khadi is her Canvas ' Reviewed SALT: THE GREAT MARCH by SHELLY JYOTI

THE HINDU ,CHENNAI 30.10.2014 
-'Khadi is her Canvas ' Reviewed by Pushpa Chari
Salt: The Great March-
Re-Contextauling Ajrakh textile traditions on khadi in contemporary art and craft by shelly jyoti 
Works on view at Dakshin Chitra Museum, Chennai -
Until November 2, 2014



E-link : http://www.thehindu.com/features/friday-review/art/khadi-is-her-canvas/article6548157.ece

Monday, October 13, 2014

‘Invoking History and Celebrating the Subaltern’ by Shelly Jyoti -Invited lectures organised by Apparao galleries at Chennai &Gurgaon


 Sharan Apparao is one of the leading contemporary gallerists in India-
                                  Owner and founder of Apparao galleries www.apparaogalleries.com






Wednesday, September 17, 2014

Varsha Das reviews recent works by Shelly Jyoti titled Salt: The Great March in Jansatta hindi e-Newspaper

Varsha Das reviews recent works by Shelly Jyoti titled Salt: The Great March- Ajrakh textile traditions in contemporary art and craft' exhibited in India International centre, New Delhi
http://epaper.jansatta.com/c/3507889

Wednesday, September 10, 2014