S A L T : T H E G R E A T M A R C H- Re-Contextualizing Ajrakh Textile Traditions on Khadi in Contemporary Art and Craft 2013-15
Saturday, December 20, 2014
Saturday, November 1, 2014
Friday, October 31, 2014
THE HINDU ,CHENNAI 30.10.2014 -'Khadi is her Canvas ' Reviewed SALT: THE GREAT MARCH by SHELLY JYOTI
THE HINDU ,CHENNAI 30.10.2014
-'Khadi is her Canvas ' Reviewed by Pushpa Chari
Salt: The Great March-
Re-Contextauling Ajrakh textile traditions on khadi in contemporary art and craft by shelly jyoti
Works on view at Dakshin Chitra Museum, Chennai -
Until November 2, 2014
-'Khadi is her Canvas ' Reviewed by Pushpa Chari
Salt: The Great March-
Re-Contextauling Ajrakh textile traditions on khadi in contemporary art and craft by shelly jyoti
Works on view at Dakshin Chitra Museum, Chennai -
Until November 2, 2014
Monday, October 13, 2014
‘Invoking History and Celebrating the Subaltern’ by Shelly Jyoti -Invited lectures organised by Apparao galleries at Chennai &Gurgaon
Sharan Apparao is one of the leading contemporary gallerists in India-
Owner and founder of Apparao galleries www.apparaogalleries.com
Wednesday, September 24, 2014
Wednesday, September 17, 2014
Varsha Das reviews recent works by Shelly Jyoti titled Salt: The Great March in Jansatta hindi e-Newspaper
Varsha Das reviews recent works by Shelly Jyoti titled Salt: The Great March- Ajrakh textile traditions in contemporary art and craft' exhibited in India International centre, New Delhi
http://epaper.jansatta.com/c/3507889
http://epaper.jansatta.com/c/3507889
Wednesday, September 10, 2014
Sunday, September 7, 2014
THE ASIAN AGE Newspaper reviews Salt: The Great March works
THE ASIAN AGE Newspaper 'Back to the Roots' ,
Sep 07, 2014
Garima Nagpal reviews my recent works on SALT:THE GREAT MARCH series
Saturday, August 30, 2014
BUSINESS STANDARD Newspaper informs about my upcoming solo show SALT: THE GREAT MARCH, August 31, 2014
http://www.business-standard.com/article/pti-stories/ajrakh-artist-captures-traditional-textile-s-charm-in-show-114082900219_1.html
Thursday, August 28, 2014
Thursday, August 14, 2014
Invite
SALT: THE GREAT MARCH II
Re-Contextualizing
Ajrakh Textile Traditions on khadi in Contemporary Art and Craft
(Textile installations, Art works, Clothing
and Spoken poetry Video art)
By
Shelly Jyoti
4-15 September 2014
11
am – 7 pm daily
India International Centre
The Art Gallery, Kamala Devi Complex
Gate no: 1, 40 Max Muller Marg
New Delhi 110003 India
Preview and inauguration:
Wednesday 3rd September 6.30pm
Chief Guest: Mrs. Tara Gandhi Bhattacharya
(Grand daughter of Mahatma Gandhi
Chairperson, Kasturba Gandhi Memorial
Trust)
Tuesday, August 12, 2014
SAVE THE DATE
SALT: THE GREAT MARCH II
Re-Contextualizing Ajrakh Textile Traditions on khadi in Contemporary Art and Craft
(Installations, Art works, Clothing and Spoken poetry Video art)
SALT: THE GREAT MARCH II
Re-Contextualizing Ajrakh Textile Traditions on khadi in Contemporary Art and Craft
(Installations, Art works, Clothing and Spoken poetry Video art)
By Shelly Jyoti
http://shellyjyotiblog.wordpress.com
EXHIBITION SCHEDULES AND LECTURES
2014
4-15 September2014
11 am – 7 pm daily
India International Centre, The Art gallery
Kamala Devi Complex, Gate no: 1, 40 Max Muller Marg, New Delhi 110003 India
Preview: Wednesday, 3rd September, 6.30pm onwards
Gallery walk by the Artist, Curator and Poet: Saturdays, 6th, 13th September, 2014, 4.00pm
2 October –November 2, 2014
The Museum DakshinaChitra
East Coast Road, Muttukadu
Chengalpet District, Chennai, Tamil Nadu 603 118 India, and P: 91.44.27472603
Lecture Presentation: Salt- A Colonial Metaphor: Relevance today by shelly jyoti
National Lalit kala Academy, Chennai, October 3, 2014, 4.00pm (In collaboration with Dakshin Chitra Museum Chennai)
2014
4-15 September2014
11 am – 7 pm daily
India International Centre, The Art gallery
Kamala Devi Complex, Gate no: 1, 40 Max Muller Marg, New Delhi 110003 India
Preview: Wednesday, 3rd September, 6.30pm onwards
Gallery walk by the Artist, Curator and Poet: Saturdays, 6th, 13th September, 2014, 4.00pm
2 October –November 2, 2014
The Museum DakshinaChitra
East Coast Road, Muttukadu
Chengalpet District, Chennai, Tamil Nadu 603 118 India, and P: 91.44.27472603
Lecture Presentation: Salt- A Colonial Metaphor: Relevance today by shelly jyoti
National Lalit kala Academy, Chennai, October 3, 2014, 4.00pm (In collaboration with Dakshin Chitra Museum Chennai)
Wednesday, January 1, 2014
Shelly Jyoti Newsletter
November 16, 2013
INDIGO: WORKS BY SHELLY JYOTI & LAURA KINA
November 16 until January 2014
These exhibits will be
presented by Gandhi Memorial Centre in co-operation with Embassy of india with
support of indian Council of Cultural Relations (ICCR)
INDIGO
project is a two women show in
collabration chicago based artist laura kina who presents INDIGO: Deveon Avenue series.The works were
previewed in vadoadra,Gujarat (2009), exhibited in New Delhi (2010) , Mumbai (2010)and
travelled across the continent to Seattle (2011), Miami (2011), Chicago(2013)
and now re opening in Washington DC
(2013-14)
Indigo Narratives : An Ode to Neel
Darpan 2009-13
These works are inspired by the play Neel Darpan (1860)
written by Deen Bandhu Mitra on the plight of indigo farmers. The indigo revolt
1858 of Neel bidraho in Bengal was a
mass movement in the history of Bengal. The play portrayed exploitation by the
brutal planters in early 19th century. Later, in 1914, the region of
chamaparan in northern India revolted against similar conditions of indigo
cultivation. Mahatma Gandhi intervened and non-violently fought for the indigo farmers.
Inspiring action, the champaran movement became known as Gandhi’s first non-
violent movement in India’s freedom struggle in 1917-18.
The tapestry is a tribute to the indigo farmers of the
Champarn region, a site specific installation which offers 25 different
contemporary indigo prints that map the story of the tragic riots of Champaran
and reference the sorrowful tale within each circle. There are 300 discs in
this particular installation. Each one tethered and stitched in time,
suggesting the hundreds of years of subjugation.
The visual crescendo of indigo block prints using the
traditional method of resist dyeing hopes to strengthen awareness and promote
dialogue of past and present day’s plight of farmers.
Shelly
Jyoti B 43 Trinity Towers| DLF Phase 5| Gurgaon 122002| Haryana.
Cell
91 9582252062 |Home 0124 4000154
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